I’ve never felt alienation to that extreme level of Quadrophenia, but I could see it all around me. In fact, that metaphor is something of a problem today when I explain Lifehouse, because the Internet has turned out to be almost the opposite of that. Add to this the various forms of ’60s soul, ska, rocksteady, and mod bands like The Jam, The Small Faces, Secret Affair, The Action, and The Creation. Young and stupid, on the other hand…But we can all say that, I’m sure. Is that a fair view?TOWNSHEND No, I think I communicated it perfectly well. I did that thing that one does if one’s working on a short story, to take a glimpse, a slice of life, and say, “This is three days in the life of a boy. Does Jimmy handle this well? Genres: Rock Opera, Hard Rock. England and Wales company registration number 2008885.
Was Lifehouse conceived as a story that would address this sense that you and your audience were losing touch with one another?TOWNSHEND Lifehouse contained a fear of losing that easy identity with our audience. Bloody split personality. You were no longer able to reflect them.GW And it was at that point that you began to develop the rock opera Lifehouse. The Grid provides not only food and air but also virtual reality, allowing citizens to live away their existence in a persistent dreamlike state that satisfies their every emotional and physical desire. These were items working-class people would never have been able to afford in one payment. And that gave birth to the experimentation with drugs and Indian mysticism. The eyeliner only exposes how vulnerable and scared those eyes look. That kind of thing. This helped give working people to a level of dignity and pride again, whether for right or wrong reasons, that they hadn’t had before.The young adolescents and adults were the ones to really benefit from this, living for the modernity that the new consumer culture allowed them. All rights reserved. He can’t comprehend it when she snaps at him that, yes, she fancied him, but it was all a bit of fun, it didn’t mean anything, that he can’t even have a bit of fun without giving his best mate a kicking, as he did to Dave back when he saw her with Steph the first time.
However, this was not a musical, and the songs were not performed, as they were in Ken Russell’s big-screen adaption of So, we get the vaguely countryish and vulnerable statement of vulnerability and strength of “I’m One”, as Jimmy broods on his scooter by the canal in the shadows of the night after seeing the love of his life at a pilled-up party, arriving with her boyfriend. Did your problems achieving Lifehouse affect your decision to keep Quadrophenia’s plot and character “closer to home,” so to speak?TOWNSHEND Yeah, very much. And when he did,
“I wanted to make the opening of the CD evoke the Who’s Next album, which most people regard as our best. It was a gray world. Where was the excitement that life should offer?Thankfully, there were economic changes afoot. Quadrophenia was an attempt by me to talk about how, in the Who’s early career, we and our audience, through disaffected heavy male-oriented rock and roll, began to feel spiritually empty. It gives the film a larger-than-life feel, without taking away from the gritty, working-class world it depicts, enhancing the emotions of the scenes depicted.And for me personally, the music was transformative.
You know, the song “Teenage Wasteland” is about the absolute desolation of teenagers after the second Isle of Wight festival, and after the Woodstock festival, where everybody was smacked out on acid and 20 people had brain damage. You're schizophrenic. You were the guiding force for the Who, and I wonder, did that change you dynamic with the band? Because it would allow someone to have the ability—maybe the arrogance—to set himself up as a reflector of society, or in my case, of our audience.
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